Michael Brzozowski
My painting practice revolves around the relationship humans have within their natural surroundings. Pulling inspiration from my environment, I am drawn to the vast waterways of the Great Lake region. My work culminates my diligent sketchbook practice - a singular image of various concepts and notions.
I draw inspiration from water's boundless and reflective nature—the solace and tranquility I experience viewing out into Lake Huron's horizon. My deep-rooted connection to the land summons remembrance of my past, subjects that become prominent in my work.
Painting on a large scale immerses one in the imagery, pushing you into the natural world. Depicting ephemeral moments in the landscapes summons viewers to pause and examine the natural beauty that we inhabit.
Motivated by the social, cultural, and political issues of water, I work to unite the divide between human existence and our environment. The ingrained interconnectedness of humanity and nature is prominent within my practice and highlights the impermanence of not only our natural world but also of ourselves.
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What do you love about making art?
I love the process of creating. Starting from nothing, developing an idea, and following it through to completion.
Which mediums do you like working with the most? What are some of the more
unusual ones you've used?
I like pen and ink in my sketchbook. I use acrylic paint in my painting practice and occasionally use found materials from the shores of lakes and rivers.
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| Manitou |
What do you love about that?
I find adding found materials to my paintings adds a layer of interest.
How do you evaluate your work?
Finding alternative ways of seeing my work. And seeking out blind reads from other artists.
Where is your studio, and what is your primary work area?
Currently Old Main at Wayne State University in Detroit [MI].
"Art is a commitment and is not easy."
What clues or questions do you use to select an idea to invest time and resources?
I try to select ideas organically. As a visual artist, it all depends on what engages me visually.
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| Transformation |
About your work: what do you hope people notice the most?
I want people to notice an aesthetic that draws you into the work.
What is your favorite guilty pleasure?
Being Lazy
How do you define success as a creative?
I define success as a creative when you do everything in your will to advocate for your art and you let go of your ego.
When do you discuss things with your inner critic?
I think artists should have a habit of inner dialogue that talks and listens to their work.
What advice do you have about throwing away work?
Think of it as a memorial or a burial. Make it a ceremony.
What would you tell other artists when they get frustrated with a project?
Keep going. Be persistent. It is ok to be frustrated. Art is a commitment and is not easy.
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| Zug |
Who are your creative influences, and whose work are you admiring now?
I like to think of animate and inanimate influences that are outside of human influence. Unfortunately, culture is built on the backs of other humans.
How can people follow you and your work?
- Instagram @mbrzozow
- michael-brzozowski.com
What would you like people to know that I haven't asked?
Art involves inclusiveness that is dualistic. It requires active participation. Heart, Mind, and Spirit.
Thank you for spending some time with me, Michael. This has been such fun. Please come back whenever you have something to share with the ChC audience!
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